Печатные и интернет-источники, использованные в книге

Archer M. Crisis, What Crisis? // Art Monthly. 264 (March 2003). P. 1–4.

Bankowsky J. Editor’s Letter // Artforum. 10. Vol. X (September 1993). P. 3.

Basciano O. 10 Tips for Art Criticism // Specularum. 12 January 2012; http://spectacularum.blogspot.co.uk/2012/01/10-tips-for-art-criticismfrom-oliver.html

Barnet S. A Short Guide to Writing About Art. Boston, MA: Pearson/Prentice Hall, 2011.

Beckett A. A User’s Guide to Artspeak // Guardian. 17 January 2013; http://www.guardian.co.uk/artanddesign/2013/jan/27/users-guide-international-art-english

Bell E., King E. Collected Writings (on historic art magazines) // frieze 100 (June – August 2006); http://www.frieze.com/issue/article/collected_writings/

Birnbaum D., Graw E., eds. Canvases and Careers Today: Criticism and Its Markets. Berlin: Sternberg Press, 2008.

Editorial: Mind your language // Burlington Magazine. 1320. Vol. 155 (March 2013).

Burnham J. Problems of Criticism // Battcock G., ed. Idea Art: A Critical Anthology. New York: Dutton, 1973. P. 46–70.

Carrier D. Rosalind Krauss and American Philosophical Art Criticism: From Formalism to Beyond Postmodernism. Westport, CT: Praeger, 2002.

Carrier D. Writing about Visual Art. New York: Allworth, 2003.

Clark T.J. The Sight of Death: An Experiment in Artwriting. New Haven: Yale University Press, 2008.

Crow T. Painters and Public Life in Eighteenth-Century Paris. New Haven and London: Yale University Press, 1985.

Danto A. C. From Philosophy to Art Criticism // American Art. 1. Vol. 16 (Spring 2002). P. 14–17.

Didi-Huberman G. The History of Art Within the Limits of its Simple Practice [1990] // Didi-Huberman G. Confronting Images: Questioning the Limits of a Certain History of Art / Transl. by John Goodman. PA: Pennsylvania State University Press, 2005. P. 11–52.

Elkins J. What Happened to Art Criticism? Chicago, IL: Prickly Paradigm, 2003.

Elkins J., Newman M., eds. The State of Art Criticism. New York; Oxford: Routledge, 2008.

Fox D. Altercritics // frieze blog, Feb 2009; http://blog.frieze.com/altercritics/

[frieze editors]. Periodical Tables (Part 2) // Frieze 100 (June – August 2006); http://www.frieze.com/issue/article/periodical_tables_part_2/

Fusco M., Newman M., Rifkin A., and Lomax Y. 11 Statements Around Art-writing // frieze blog, 10 October 2011; http://blog.frieze.com/11-statements-around-art-writing/

Gamboni D. The Relative Autonomy of Art Criticism // Orwicz M B., ed. Art Criticism and its Institutions in Nineteenth-Century France. Manchester, UK: Manchester University Press, 1994. P. 182–194.

Gat O. Art Criticism in the Age of Yelp // Rhizome, 12 Novenmer 2013; http://rhizome.org/editorial/2013/nov/12/art-criticism-age-yelp/

Gibson E. The Lost Art of Writing About Art // Wall Street Journal. 18 April 2008; http://online.wsj.com/article/SB120848379018525199.html#printMode

Groys B. Critical Reflections // Art Power. Cambridge, MA: MIT Press, 2008. P. 111–129.

Groys B. [in conversation with Brian Dillon]. Who do You Think You’re Talking To? // frieze 121 (March 2009); https://www.frieze.com/issue/article/who_do_you_think_youre_talking_to/

Hartigan P. A. How (Not) to Write Like an Art Critic // hyperallergic. 22 November 2012; http://hyperallergic.com/60675/how-not-to-write-like-an-art-critic/

Harris J. The New Art History: A Critical Introduction. London: Routledge, 2001.

Heartney E. What Are Critics For? // American Art. 1. Vol. 16 (Spring 2002). P. 4–8.

Heddaya M. When Artspeak Masks Oppression // hyperallergic. 6 March 2013; http://hyperallergic.com/66348/when-artspeak-masks-oppression/

Higgie J. Please Release Me // frieze 103 (November – December 2005); https://www.frieze.com/issue/article/please_release_me/

Iversen M., Melville S. Writing Art History: Disciplinary Departures. Chicago, IL: University of Chicago Press, 2010.

Jones A. «Every Man Knows Where and How Beauty Gives Him Pleasure»: Beauty Discourse and the Logic of Aesthetics // Elliot E., Freitas Caton L., Rhyne J., eds. Aesthetics in a Multicultural Age. Oxford; New York: Oxford University Press, 2002). P. 215–240.

Jones J. What is the point of art criticism? // Guardian art blog. 24 April 2009; http://www.guardian.co.uk/artanddesign/jonathanjonesblog/2009/apr/24/art-criticism

Kelsey J. The Hack // Birmbaum D., Graw E., eds. Canvases and Careers Today: Criticism and its Markets. Berlin: Sternberg Press, 2008. P. 65–74.

Khonsary J., O’Brien M., eds. Judgment and Contemporary Art Criticism. Vancouver: «Folio Series», Artspeak; Filip, 2011.

Lafuente P. Notes on Art Criticism as a Practice // ICA blog. 4 December 2008; http://www.ica.org.uk/blog/notes-art-criticism-practice-pablo-lafuente

Levi Strauss D. From Metaphysics to Invective: Art Criticism as if it Still Matters // The Brooklyn Rail. 3 May 2012; http://www.brooklynrail.org/2012/05/art/from-metaphysics-to-invectiveart-criticism-as-if-it-still-matters

Levine L. [reply to Robert Hughes]. The Decline and Fall of the Avant-garde // Idea Art: Battcock G., ed. A Critical Anthology. New York: Dutton, 1973. P. 194–203.

Luxenberg A. Further Light on the Critical Reception of Goya’s Family of Charles IV as Caricature // Artibus et Historiae. 46. Vol. 23 (2002). P. 179–182.

Mitchell W.J.T. What Is an Image? // Iconology: Image, Text, Ideology. Chicago, IL: University of Chicago Press, 1986. P. 7–46.

Morgan S. What the Butler Saw: Selected Writings / Ed. by Ian Hunt. London: Durian, 1996.

Morgan S. Inclinations: Further Writings and Interviews / Ed. by Juan Vicente Aliaga and Ian Hunt. London: Durian, 2007.

Orwicz M., ed. Art Criticism and its Institutions in Nineteenth-Century France. Manchester, UK: Manchester University Press, 1994.

Panero J. The Critical Moment: Abstract Expressionism’s Dueling Dio // Humanities. 4. Vol. 29 (July – August 2008; http://www.neh.gov/humanities/2008/julyaugust/feature/the-critical-moment

Pepi M. The Demise of Artnet Magazine and the Crisis in Criticism // Artwrit 17 (September 2012); http://www.artwrit.com/article/the-demise-ofartnet-magazine-and-the-crisis-in-criticism/

Plagens P. At a Crossroads // Rubinstein R., ed. Critical Mess. Lennox, MA: Hard Press, 2006. P. 115–120.

Relyea L. All Over and At Once [2003] // Rubinstein R., ed. Critical Mess. Lennox, MA: Hard Press, 2006. P. 49–59.

Relyea L. After Criticism // Dumbadze A., Hudson S., eds. Contemporary Art: 1989 to the Present. Oxford: Wiley-Blackwell, 2013. P. 357–366.

Rosler R. English and All That // e-flux journal. 45 (May 2013); http://www.e-flux.com/journal/english-and-all-that/

Rubinstein R., ed. Critical Mess: Art Critics on the State of the Practice. Lennox, MA: Hard Press, 2006.

Rule A., Levine D. International Art English // Triple Canopy. 16 (17 May–30 July 2012); http://canopycanopycanopy.com/16/international_art_english

Ruskin J. Modern Painters IV. Vol. 3 [1856] // The Genius of John Ruskin: Selection from His Writings / Ed. by John D. Rosenberg. Charlottesville, VA: University of Virginia Press, 1998. P. 91.

Schjeldahl P. Dear Profession of Art Writing [1976] // The Hydrogen Jukebox: Selected Writings of Peter Schjeldahl. 1978–1990 / Ed. by Malin Wilson. Berkeley and Los Angeles; London: University of Califormia Press, 1991. P. 180–186.

Schwabsky B. Criticism and Self Criticism // The Brooklyn Rail. 12. 2012 (December 2012 – January 2013); http://www.brooklynrail.org/2012/12/artseen/criticism-and-self-criticism

Schwendener M. What Crisis? Some Promising Futures for Art Criticism // The Village Voice. 7. January 2009; http://www.villagevoice.com/2009-01-07/art/what-crisis-some-promisingfutures-for-art-criticism/

Shone R., Stonard J.P., eds. The Books that Shaped Art History. London; New York: Thames & Hudson, 2013.

Siedell D. A. Academic Art Criticism // Elkins J., Newman M., eds. The State of Art Criticism. New York; Oxford: Routledge, 2008. P. 242–244.

Shreyach M. The Recovery of Criticism // Elkins J., Newman V., eds. The State of Art Criticism. New York; Oxford: Routledge, 2008. P. 3–26.

Steyerl H. International Disco Latin // e-flux journal. 45 (May 2013); http://www.e-flux.com/journal/international-disco-latin/

Strunk, Jr.W., White E.B. The Elements of Style. New York: Longman, 1999 (4-е изд.).

Szaґntoґ A., ed. The Visual Art Critic: A Survey of Art Critics at General-Interest New Publications in America. New York: National Arts Journalism Program, Columbia University, 2002; http://www.najp.org/publications/researchreports/tvac.pdf

Szaґntoґ. A. The Future of Arts Journalism // Studio. 360. 15 May 2009; http://www.studio360.org/2009/may/15/

Thorne S. Call Yourself a Critic? // frieze. 145 (March 2012); http://www.frieze.com/issue/article/call-yourself-a-critic/

Venturi L. History of Art Criticism / Transl. by Charles Marriott. New York: Dutton, 1936.

Verwoert J. Talk to the Thing // Elkins J., Newman M., eds. The State of Art Criticism. New York; Oxford: Routledge, 2008. P. 342–347.

Wallace D.F. Consider the Lobster and Other Essays. London: Abacus, 2005.

Waxman L., D’Angelo M. Reinventing the Critic // Studio. 360. 15 May 2009; http://www.studio360.org/2009/may/15/

Wrigley R. The Origins of French Art Criticism: From the Ancien Reґgime to the Restoration. Oxford: Clarendon, 1993.

Wolff T.F., Geahigan G. Art Criticism and Education. Urbana, IL: University of Illinois, 1997.

Yau J. The Poet as Art Critic // The American Poetry Review. 3. Vol. 34

(May – June 2005. P. 45–50.

Беньямин В. [Писательская техника в тринадцати тезисах] // Улица с односторонним движением [1925–1926] / Пер. И. Болдырева. М.: Ад Маргинем Пресс, 2013. C. 44–46.

Дидро Д. Салон 1765 года [1765–1766] / Пер. Ю. Денисова, Вал. Дмитриева, С. Шкунаева // Дидро. Д. Салоны. В 2 т. Т. 1. М.: Искусство, 1989. C. 151–153.

Мерло-Понти М. Око и дух [1961] / Пер. А. В. Густыря. М.: Искусство, 1992.

Сонтаг С. Против интерпретации [1964] / Пер. В. Голышева // Сонтаг С. Против интерпретации. М.: Ад Маргинем Пресс, 2014. С. 13–25.

Фостер Х. Критики при последнем издыхании // Фостер. Х. Дизайн и преступление [2003] / Пер. Д. Потемкина. М.: V-A-C press, 2014. С. 133–153.

Хайдеггер М. Вещь [1950] / Пер. В.В. Бибихина // Хайдеггер М. Время и бытие. М.: Прогресс, 1993. С. 316–326.